Archive for the ‘ Guerrilla History ’ Category

Hotel Sterling: The UnDead Days

Abandoned Hotel Sterling: A Room With A View

 Zombie buildings are real.  It was a term first coined by financial analysts to explain the national collapse of the commercial real estate market as far back as 2006, and has expanded to represent all buildings that are unusable due to disrepair, because they are owned by entities that are too broke to fix them.

Based upon “Hotel Sterling: The UnDead Days”,  Welcome To The Zombie Hotel Sterling is now available for digital download at Amazon.com!  If you don’t have a Kindle device, don’t worry, you can download a free Kindle app for your smart phone or computer right here!

Book Description:

Abandoned and rotting away along the banks of the mighty Susquehanna River, the zombified Hotel Sterling tells its tale of fading grandeur and woe to a photographer visiting the deteriorating structure, seeking to photographically document the reality of the condition of the building, as the hotel waits for its beloved community to decide its fate, once and for all.

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Read an interview about “Welcome to the Zombie Sterling” at: 570 Mine Fire

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Cheri Sundra © 2013
All Rights Reserved

The Sexy Side of Abandonment: Scranton Lace Pin-Up Girls

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Giving New Meaning To “Scranton Lace”

Anyone who explores abandoned buildings eventually runs into evidence that suggests a whole lot of sex goes on within those dark, sticky and usually moist spaces. Like a passionate affair, ruins are exciting!  Standing in one makes your heart beat faster and the world outside fades from your consciousness as time stands still, and you’re thrust into another world.

Presently, many of Northeastern Pennsylvania’s abandonments are understandably being utilized as backdrops for music videos by local bands such as Astorian Stigmata, and fashion photo shoots by bloggers like Riss Vandal of Fashion Vandals.  And now, thanks to Sullivan’s Pin-Up Photography, the Scranton Lace Factory has a whole new visual image to ponder and appreciate!

Scranton Lace, a factory basically abandoned by the owner in 2002, when workers were informed that it was closing “effective immediately”, first became a popular site among people who engage in Urban Exploration photography, and photojournalists covering our nation’s age of industrial decline.  Now, with the facility currently under renovation in order to bring it back to life, photographer Bonnie Sullivan was able to secure the location in order to conduct one of her specialty Pin-Up Model photo shoots.

Knowing how much I loved photographing Scranton Lace, since I’d been there several times before, Bonnie graciously asked me to stop by during the event, where I was able to convince two of her models to give my readers an inside look at becoming a Pin-Up model for the day.  And after watching this process in action, I truly believe that every woman should do it at least once, just to be able to say they’ve done it.  Apparently, transforming yourself into a Pin-Up is one of those pivotal, life-changing experiences, in terms of confidence building! And in this hyper-connected, social media world, who doesn’t want to feel more confident while having their picture taken?!

Jennifer Walsh-Crosland was the first model to arrive. “This is fucking awesome”, were the initial words out of her saucy red painted lips as she strutted into Scranton Lace’s now infamous bowling alley, with her ruby “ribbon candy” pumps and Bettie Page store shopping bag.  Jennifer, who has done this type of thing before, was excited to finally see the interior of the Scranton Lace Factory.  It had been one of her ambitions for quite a while.  She said, “I was excited because the building and the company have such a historical influence on the culture of this city. It’s been around since the 1890’s, employed many of our area residents throughout the years, and holds so much energy.”

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And as an added bonus for her spouse, who escorted her to the shoot, Mr. Crosland was also able to get a private behind-the- scenes look at that history all for himself.  “He enjoyed being able to walk around the building while I was doing the shoot. He got some really great pictures from a place that we would have otherwise never had the opportunity to be inside”, Jennifer shared.

The next model to show up was Nikki Falcone, which seems like a name ready-made for an alluring Pin-Up bombshell.  This was her first experience, so her entrance was a little more subdued as she took in the entire scene, which could be a little intimidating for a first-timer.  But as Nikki watched Jennifer in action, under Bonnie Sullivan’s expert direction, she seemed to become more at ease.  It was clear that Bonnie, with the support of her husband Joe Sullivan, was running this show.  “Walk with a little swagger”, she instructed Jennifer, as she stood, in those spectacular red heels, in the middle of a post-apocalyptical looking bowling lane, with two weathered bowling pins grasped in her hands.  “Don’t hold them evenly”, she directed, “hold one pin by the neck and the other down further.”

At one point, while adjusting Jennifer’s dress by hiking it further up her thigh, Bonnie told Jennifer, “Yes, you ARE that kind of girl! Go with it!”, as she snapped her camera shutter closed several times in quick succession.  “Act like you own it”, she instructed Jennifer, “Lift ‘the girls’ (Pin-Up speak for boobs) and cinch the waste!”

Jennifer

Jennifer

When asked about the onslaught of posing instructions, Jennifer responded “The direction that she gives is what makes it so awesome! I mean, I’m just a normal chick; I’m goofy and uncoordinated, but with Bonnie & Joe behind the camera, all of that goes away. They just have a way that makes you feel so comfortable and so confident!”

I asked Jennifer if, after working with professional photographers, she had one posing tip that she would share with others to make their own pictures better. Her response was, “If it feels weird in the moment, more than likely, that’s going to be the best pose of the day!”

The next model to step into the spotlight was Nikki Falcone, who was doing the photo shoot as a gift for her husband, who is into all things retro, as a gift for their anniversary.  “He’s been looking up a lot of (Pin-Up) pictures”, she explained, “So rather than be jealous of those models, I thought maybe I could do just as well.” And do it, Nikki did!

“If you feel comfortable, your photos will look awkward.  So be uncomfortable”, instructed Bonnie from behind the lens, as she led Nikki through some shots on top of the roof of the massive industrial complex.  “Do you want to pretend like you are climbing the ladder in your heels?” Bonnie asked Nikki before telling her to climb up one or two rungs.  “Get your “girls” to the right (those boobies again)”, she shouted to Nikki before taking the picture.

During my time watching Bonnie in action, I couldn’t help but notice how often she mentioned “the girls” to her models.  So I had to ask her how important boobs are when creating a compelling Pin-Up image.  “The Pin-Up is all about cleavage, leg and facial expression”, Bonnie explained, “If you look at all the classic pin-ups of Vargas or Elgrin, they have elongated legs and/or lots of cleavage that go along with their curvy, and never waif-like, bodies. After all, pin-ups were used as a distraction back in the day, and if you’re going to distract the boys from their troubles of war, legs, cleavage and curves were just the thing to do it, no?”

Nikki

Nikki

If the purpose of the Pin-Up girls of the past was to provide a distraction from the horrors of war, I wondered if the resurging interest in Pin-Ups is a reflection of something about the times we live in now.

Bonnie offered her opinion, “Perhaps…and that just may be a large part of it. But I also think that a lot of women just want some “me time” for a minute. Women from all walks of life, have just become so busy these days. We get up in the morning and stand in front of the mirror, tossing our hair up in a knot, or quickly getting ourselves presentable for our work day. We don’t take time to primp and pamper ourselves these days like they did “back in the day”, because we don’t have the time with our busy work schedules, balancing the kid’s schedules, working, husbands, etc.  And I think some of the women who come to us for sessions just want to feel that “old school glamour” again, who want some “me time” and have photos to create the memory.  Because once they leave our session—BAM–they’re thrown back into their horrendous schedules and busy lives. So in a sense, this could be a “distraction” of another kind, not from war, but a distraction from our rushed lifestyles.”

“We’ve also become bombarded with sexual images in our daily lives — some tasteful and some not so tasteful”, Bonnie continued, “The Pin-Up image takes that notion and throws it back to “old school” when sexual images were fun, flirty and only hinting at “naughtiness”.  It takes you back to a time when society was more turned on by the curves of the female body underneath clothing than full on, in your face nudity.  That’s not to say we have anything against tasteful nude images.  We don’t!     Nude doesn’t equal pornography, though.  There’s a definite difference.  I think these are just a few of the reasons for the resurgence.”

I asked Bonnie what motivated her to start taking Pin-Up style photos in the first place.  “I’ve always enjoyed the Pin-Up image”, she replied, “A friend asked me to do a photo shoot of her for a “Pin-Up calendar” she wanted to give as a Christmas gift to her boyfriend. She emailed me and said it’s something she wanted to do, and just never felt like she knew a photographer who would pull off what she was looking for. She was familiar with my style of photography and had seen some of the work that I’ve done in the past. So, I agreed, and it was one of the most fun days I’ve ever had — that we both had, really! I loved editing her photos and seeing such beautiful images that I helped to create.   That’s when I turned to Joe — knowing this was something we just had to work on together out of our mutual love, not just for the classic Pin-Ups, but photography as well. I remember telling Joe that if I truly believe everything happens for a reason, then, that day was no accident and was meant to set us on a path of the business we have today.”

I wanted to know what motivated women to want to be photographed in this way.  “Several reasons”, Bonnie explained, “Some do it as a gift for their significant other. Some do it because they need a “pick me up” after a devastating event such as divorce–or in some cases, maybe that’s more of a celebration and not so much a “pick me up”! Ha-ha! Others do it to celebrate a weight loss or some other turning point in their life. Some want to take a minute out of their busy schedule and feel beautiful and glamorous. And then, others do it just because they love the art of Pin-Up photography and want to emulate their favorite Pin-Up models.  It really is a personal thing; we find that the reasons are varied.”

I wondered what motivate these particular models to want to do this. Nikki said that the idea came to her after seeing the result of a photo shoot that one of her friends did with Bonnie & Joe at a candy shop. Jennifer was also motivated to participate by a friend, who happened to share a post from Sullivan’s on Facebook.  “They were offering a photo shoot package at a great price, with a donation for Toys for Tots”, she said, “I thought it was a great way to be able to get a special Christmas gift for my husband and do a good deed at the same time.”

“I will be really honest”, Jennifer explained, “The first shoot I did, I was REALLY nervous, but after it was all said and done I LOVED IT!! Everything about it, going out and finding the perfect outfit to match the theme I wanted to go with, finding the right pair of shoes that were really going to POP in the shoot. Having hair & make up done–the pampering was one of my guilty pleasures.”

For this photo shoot, Jennifer opted to make a special trip to Philadelphia in order to find the perfect dress.  “It was AWESOME!”, Jennifer exclaimed, I made a trip to the iconic Bettie Page store because even though I had a ton of places I could order a dress from, I wanted to go to a place where I could try on several dresses, to make sure I got the perfect one, not only did I look great, but I felt very comfortable.”

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Nikki said that she fell in love with her dress at pinupgirlclothing.com.  Bonnie says that clients can always check with her to see if she has any Pin-Up inspired clothing on-hand that appeals to them.  “We’re still building our wardrobe”, she explained, but we have several dresses ranging in size from 4 to 18. If we don’t have their size yet, then we can definitely direct them to a few places where  great finds can be had.”

Bonnie encourages clients to consult with her prior to their scheduled shoot because she can help them with all aspects of preparation in order to create the perfect Pin-Up look. “We offer hair and makeup as a complimentary service, EXCEPT for venue shoots where there are multiple shoots, and it’s just not possible time-wise.  Shiloh Salon & Day Spa in Olyphant actually work with us and give all our clients a 20% discount when they go there to have their hair/make up done right before a shoot.  They are a fabulous team and a Pin-Up inspired salon with images of Audrey Hepburn, Bettie Page and Marilyn Monroe adorning the walls.  If a client just doesn’t have the funds for getting their hair/make up professionally done, YouTube is a great tool for vintage/retro/pin-up hairstyles!”, she told me.

Of course models can also take charge of creating the look they want all for themselves, as Nikki did, “Stephanie Rozelle from Head to Toe Salon did my hair and makeup, she is a friend I’ve known since high school.”

Jennifer

Jennifer

The definition of a Pin-Up Girl is basically any model whose image garners wide appeal.  I wanted to know if, as a photographer, Bonnie thought that every woman has an inner Pin-Up Girl waiting to be unleashed.

She responded, “I think so. Some of the best sessions we’ve had were of self-proclaimed “tomboys” who wanted to embrace their feminine side for a day. You don’t have to be a “girlie girl” to want to feel beautiful as a Pin-Up for a day. Pin-Up is a genre that crosses a wide range of backgrounds and social statuses. We’ve worked with ladies who have their doctorate degree in education, to hairstylists, to the fast food employee, and the stay at home mom.  Ladies everywhere, no matter who and what title they hold, want to be a beautiful Pin-Up to some degree for one day! It’s fun! It’s something out of the daily grind! And it’s something you walk away with a memory of , as well as prints to hang on your wall or share with your significant other!”

Jennifer added, “There are a lot of women that secretly have a little Pin-Up vixen inside them.”  While Nikki said,  “Absolutely!  Every woman has their own style and appeal and some just need to find it and share it.”

I wanted to know if these ladies had any advice for women who secretly wanted to do this but didn’t think they had enough confidence to actually pull it off.

Jennifer responded, ” If you’ve ever wanted to go outside of your norm, break out of the box, yet do it in a really classy way–DO THIS!! I’m the first to tell you, I may have a big personality, but I’m really, really shy –I’m my own contradiction—but this experience took me WAY out of my comfort zone, and I’m glad that I did it. It brought me out of my proverbial shell – not just by having the pictures taken, but then again, when Bonnie & Joe share them on their Facebook page. It’s out there, for all to see – take it or leave it, like or not – it’s me.”

Nikki said that anyone can do it, with the right attitude.  “Own your pictures,” she said, “ The confidence definitely shines through and the more you think “I’m awesome, I’m beautiful, I can do this” the better the photos seem to be.”

Bonnie Photographing Nikki

Bonnie Photographing Nikki

Bonnie's picture of Nikki

Bonnie’s picture of Nikki

Bonnie explained, “I think we all feel like that to a degree, no?  But I would tell her that no one ever goes in front of a camera without feeling nervous.  Every woman is her own worst critic. A Pin-Up session is often a great way to empower yourself and embrace your body and all of its imperfections.  Pin-Up isn’t about being the perfect weight, the perfect height, the right size nose, or any of that.    You never have to feel as though you “measure up” in the Pin-Up genre! It’s the one genre that accepts and actually appreciates the curvier body over the less curvy frames.”

I wondered if the models learned anything about themselves by participating in this experience.  Nikki responded, “That most of my insecurities are in my head. And the pictures allow me to see what my husband sees in me all along.”  While Jennifer explained, “I’ve solidified that fact that when I want something bad enough, I make it happen, which makes me realize that I am stronger than I think I am.”

And of course we had to discuss the challenges of doing a photo shoot with models at a venue like Scranton Lace.  The first time I had the opportunity to take photos at this location; I was there with people dressed more like doomsday preppers, in army fatigues and steel toe boots, which is a far cry from pretty dresses and designer pumps!

Nikki said that walking around the debris in heels was the biggest problem for her, “My normal day shoes are DC Skater shoes, so heels can be a challenge on normal ground. The roof was interesting too since my heels sunk right in.”

According to Bonnie, “The debris is a challenge sometimes; you obviously want your clients to be safe as they walk around in their heels.  Not having electricity for our lighting can also be challenging.  You want the shots to be bright, crisp and well lit for the client.”

I asked Bonnie why she chose the Scranton Lace Factory as a location in the first place.  “I’m a fan of abandoned buildings because of the “beauty of decay” that I find appealing –which is why I like to put Pin-Ups in such places ,the contrast of the beauty vs. decay of something once beautiful”, she said, “Scranton Lace has some fantastic architecture and amenities  like the bowling alley  that just worked so well with the Pin-Up theme whether it be the classic retro Pin-Up or even the lingerie session we did there.”

Nikki thought the setting was a perfect place for a Pin-Up shoot, “The clash of beauty against the beast I guess you can call it. Here’s someone put together so well, against a backdrop of urban decay, something that’s falling apart, and it just makes her stand out that much more. It’s very visually stimulating.”

And Jennifer added, “What was appealing to me was the fact that here I was, all done up and looking HOT – standing in a beautiful ruin. I feel it’s the perfect combination of the two.”

Obviously, Scranton Lace is important historically. And unfortunately, we live in a time when many historic buildings exist as “zombie buildings”–a real world term that is being used to describe buildings that are not usable for their intended purpose because they are in need of repair, and are owned by entities that cannot afford to do so.  I wanted to know if Bonnie thought  that allowing photographers to use these locations for photo shoots could be beneficial in any way for the building owners in terms of generating renewed interest in gaining public support to try to save these buildings.

“Absolutely!”, she enthusiastically responded, “The general public often times only sees these buildings/structures from the outside and has NO idea of how absolutely gorgeous and stunning some of these buildings are on the inside! And by allowing photographers inside to hold shoots, once the public sees some of these photos — suddenly that building is no longer just the “brick building down the street”, instead they see the building in a whole new light.”

Jennifer said, ”These buildings may be skeletons of their former selves but they still hold so much beauty and that beauty deserves some recognition. I couldn’t wait to get inside to feel it. On my way out, I stood in a huge empty room, which I could only assume held looms at one point… it was so quiet, all I could hear was myself breathing , but the energy I felt was electrifying! That’s what I was looking forward to – that feeling – it’s hard to describe, unless you’ve felt it for yourself , but for that few minutes, I could close my eyes and feel the building.”

Scranton Lace Factory: The Loom Room is History Now  {EXPLORE}

Scranton Lace Loom Room April 2011

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Scranton Lace Loom Room September 2011

I asked Bonnie to describe the Pin-Up Model experience for someone who has never done it before. “It is empowering”, she said, “ and addictive if I were to judge by how many repeat clients we have, and how they tell us their experience with us is like getting a tattoo.  Once you have one, you want more!    None of our clients are “professional” Pin-Up models, at least not to date.  Every one of them that does this for the first time, initially they’re nervous, and by the end of it, they’re beaming with excitement, confidence, thanking us and telling us how much fun they had and can’t wait to do it again. I think it goes beyond the “fun” aspect. I think they feel empowered and that’s what is addictive. The empowerment of embracing their bodies in a way that perhaps they never thought they could or ever would.”

I asked how a client should prepare themselves mentally before their photo shoot.  “Empower yourself by practicing some classic Pin-Up poses and/or facial expressions in the mirror. It’ll give you a chance to see how you look, what poses you find flattering to yourself, and it’ll put some control into your lap at your session”, Bonnie responded,” We always tell our clients that you really need to exaggerate everything for Pin-Up–if you feel foolish when posing the way we direct you to, or with a particular facial expression, then you’re doing it right and your photo will be perfect! And a glass of wine before your session doesn’t hurt either….. but ONE glass, not ONE bottle. Drunk isn’t beautiful, Ha-ha!  And expect LOTS OF FUN!  Joe and I are very laid back and like to have fun as well as make it fun for our clients!  Joe and I shoot at the same time, from different angles, maximizing photo options/angles for the client.  I usually do all the directing, so it’s not confusing for the client —- and while I’m directing, Joe is usually keeping an eye out for flaws in the shot like a clothing tag sticking out, a hem problem in a dress or whatever the case may be.  But Joe and I like to have fun and crack jokes.  There’ve been times when models have had a hard time making their “Pin-Up expression” because they’re laughing so hard at our nonsensical banter.”

I noticed that the models seemed to become more confident as their photo shoot progressed.  Bonnie told me that my assessment was 100% accurate. “I think the atmosphere that Joe and I try to create during the shoot helps our clients to loosen up and ease their concerns about their flaws”, she explained, “We’ll ask ahead of time if there is anything about their bodies they just hate –face it, we all have those issues!– and even what parts they love about themselves!  We’ll try to down-play that imperfection during their session.  I think our clients see that as we start shooting, and it helps to boost their confidence knowing that we are going to be sure we photograph their best and down-play what they’re not fond of.  We try to keep the atmosphere light and help ease their anxiety. We crack jokes; we try to involve them in the outcome of their experience by asking if there’s any particular shot/pose they want to try.    And even if they have shot with us before, I think the anticipation of having their shoot, sometimes planned months in advance, has them amped up and rocking their nerves, and once they begin the shoot they’re like “Oh yeah, I forgot how easy this groove is!”

I asked what Bonnie thought her husband added, as the male perspective, to the creation of the Pin-Up image.  She explained, “Face it, a man will see a woman in a completely different light and with a completely different appreciation than another  female does — it’s in our wiring, photographer or not. There are times when Joe will suggest something or add a little “tweak” to the shot or pose….. But just the same, it’s that suggestion/tweak that takes it from sexy to “WHOA!!” Joe appreciates the art in the female form and he uses that appreciation to help create some stunning images in our business!  I know there are Pin-Up photographers out there who tout themselves as an “all female team” and that’s great —  there are women who may not be comfortable with a male photographer. But, we’ve been told by a few of our clients they appreciate the “male eye”, particularly for boudoir sessions when the client is giving the gift to the man in her life.”

Boudoir Model at Scranton Lace

Boudoir Model at Scranton Lace

I wanted to know if a man should ever consider purchasing a Pin-Up photo session as a gift for the woman in his life.  Bonnie thinks it would make a great present because “what a fantastic compliment it would be for your significant other to say “Hey honey, I bought you a Pin-Up photography session!”     Wouldn’t that say that he/she already thinks you’re an amazing, sexy being and wants to see it brought to life in Pin-Up form??”

You can find more pictures from the Scranton Lace Pin-Up photo shoot on the Sullivan Pin-Up Photography Facebook Page and contact information, as well as other photos, on their website.

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Want more Scranton Lace?

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A Visual Autopsy of the American Dream

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Cheri Sundra © 2013
All Rights Reserved

The Abandoned Picnic Grove Of The Soul

Once upon a time, when things were much more laid back and life was simpler, communities enjoyed gathering at popular outdoor spots on a regular basis to eat food in the great outdoors, and enjoy each other’s company.   As a result, some simplistic structures were erected to help make these get-togethers a little more civilized.   The concept of “the picnic grove” was quite popular in the northeastern part of Pennsylvania.  So popular, that many sites later added more sophisticated “amusements”.

The Lehigh Valley Picnic Grounds were opened in the late 1800s, at Harvey’s Lake, and they later morphed into a full blown amusement park know as Hanson’s.

Roller Coaster Remains @ Hanson's Abandoned Amusement Park, Harvey's Lake, Pennsylvania

A roller coaster skeleton remnant at Hanson’s Abandoned Amusement Park

When Croop’s Glen first opened on Route 11 near Nanticoke, its main attraction was the waterfall and picnic area.

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Abandoned Picnic Grove Tables at Croop’s Glen

Angela Park , in Mountain Top,  was first used by the land owners as a site for picnics and family gatherings.

This Used To Be My Playground--“Angela Park: An American Eulogy”

Abandoned Pool Area Control Room at Angela Park

Even the amusement park with the longest run of any of the parks in the region, Rocky Glen, first opened as a picnic facility.
Rocky Glen Park Sign

One picnic grove that I was familiar with as a child was the one perched above St Mary’s Cemetery in Plymouth, Pennsylvania.  I don’t recall ever attending an actual event at the picnic grove, but I do remember going there when I was little to pick pinecones and to ride the swings.  I went back there recently, out of curiosity, and found that those swings were long gone…..

The Abandoned Picnic Grove Of The Soul

People would follow the stone staircase….

APGOTS 3

……..near the stone alter

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…..up to the picnic area

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The swings are long gone…and the frame has rusted apart

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Abandoned Outhouse

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St Mary’s Cemetery Angels

Earthbound Angels   1

Angel in Stone 3

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Cheri Sundra © 2013
All Rights Reserved

 

The Huber Breaker Rocks –with ASTORIAN STIGMATA

“Standing at the edge where beauty meets decay

Re-born through death

Time fades away and leaves a memory

But that red sky rests so quite

Upon the ashes of innocence

And some things never really come alive

Until after they have died.”

–“The Beginning Of An End”  (ASTORIAN STIGMATA)

Huber Breaker Ruins:  The Art of Industrial DecayThe Huber Breaker in Ashley,  Pennsylvania, USA

Sometimes, engaging in urban exploration is like experiencing an alternative reality.   In these abandoned and often beloved structures, ghost-like representations of what “once was” collide head-on with their current state of decay and ruination, representing a dream-like status between existence and non-existence, somewhere in the middle of life and death.  

Naturally, a local band with a name based upon the concept of an alternative reality, combined with the imagery of open wounds, and the catch phrase “Stay Dead”, would conclude that one of Northeastern Pennsylvania’s most popular urban exploration sites would be the perfect setting for filming a music video or two!  

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But according to Astorian Stigmata founder and front man, Dennis Condusta, his hometown, which is referred to as the “Victorian Corner of Pennsylvania” on the band’s Facebook page, always stars in his videos.  “I’ve traveled extensively and it has really helped me notice that Wilkes-Barre is a truly unique place in many ways”, Dennis explains, “Most of them aren’t positive ways, but in the architectural sense, it really has a “decayed elegance” feel.  Like it was once a prospering place during the coal mine era and now it’s kinda run down, and somewhat dismal.  I noticed over the years that the message in my music was very similar to that.  I’ve always been drawn to the concept of once beautiful things fading away.  I know that they always can return.   It’s kind of a positive way to look at decay and things falling apart. And “Victorian Corner” is just a reference to a lot of the Victorian era architecture in the surrounding area of Wilkes-Barre. I’ve always been drawn to its class, and most of our records have Victorian era houses on the cover.”

While discussing the Astorian Stigmata video “Ballroom Dancing, Condusta said that their European fans often make comments about how much they love the look of the old historical stuff here in Pennsylvania.  “Most of those shots (in the video) were right in the downtown area, the apartments across from the River Front, and close up shots of the Sterling Hotel”, he stated, “And the European fans say things like “I’d love to visit Wilkes-Barre!” Ha-ha. I think it has a lot to do with the way it’s represented”, he explained, “We really romanticized the place in all our work.  And people from here never realize how truly unique and beautiful a lot of the things we have around here are, mostly things left over from the coal era.  If we become a bigger band it’s going to be a good thing for Wilkes-Barre tourism!  Ha-ha.  It always kinda bugged me how bands move away from their home to embrace the music scene other places or whatever, and that’s all fine.  But I see myself as an artist far before a musician who is trying to “make it” or anything like that.  So I do my best to represent the area I am from because it has played such a huge part in my artistic understanding of the world around me.”

Abandoned Hotel Sterling: The Harsh Light of DayThe Hotel Sterling ruins in Wilkes-Barre, Pennsylvania, USA

Condusta came up with the band name in 2003 while watching an HBO show called “Carnival”–specifically,  an episode titled “The Road to Astoria”, when he became intrigued by the idea of an alternative reality, but one  very similar to the one we know. That “alternative reality” notion  is the main reason I chose to write about Astorian Stigmata for my blog about urban exploration, because that is the very concept that urban explorers are trying to capture when they photograph the abandoned structures where people once lived, worked, played, worshipped, dreamed or suffered. 

AS2

Condusta was drawn to the word Stigmata for its powerful look and strong pronunciation.  Which is a relevant choice, because the visual images portrayed in many of the band’s videos are both harsh and destructive.  Yet, in listening to the lyrics, you can’t miss the sentimental vibe—like a verbalized wish that life was less fragile and that people, places and things could be more permanent.  

Dennis explained that “most of my lyrics are about dualities.  Which is also why we use black and white stripes so consistently in our logo and branding—they represent the ups and downs of life, and that they are both equal, and both present at all times.”    Many of their song lyrics are quite philosophical, touching upon concepts such as being “re-born through death”, as in the lyrics of the one video filmed at the Huber Breaker.  “It refers to an existential death and coming back to life as a better person, but only after your old sense of self has died”, Dennis stated.  Fans consider the band’s catch phrase, “Stay Dead” and their entire “death” theme, as a metaphor for the kind of self-fulfillment that leads to happiness by remaining true to yourself.

In fact, staying true to themselves is even embraced by Astorian Stigmata in their business model, because they literally do everything themselves.  Dennis explains that being an “indie” band allows you to do things, your way, all the time, when you want. We’re pretty specific about what we are trying to say and do.”  According to Dennis, “I’ve always loved design/photography/hand printing t-shirts/video/editing/music recording/writing and production–even the hard work like hand making every CD. Our guitar player, DJ, is the same way. He  enjoys it all and we work well together as a team. We don’t call ourselves a “punk” band, but we carry that flag and ethic as hard as anyone.  Not because we want to, but because no one is gonna do anything for us.  We’ve been offered record deals and things, but we’re not dumb dudes in a band. We understand how business works, and how things happen, and that 90% of the industry side of music is there to fool you into making them money.”  

Condusta further explains that as an artist, his focus isn’t the same as that of a corporate business entity, only interested in creating mainstream conceptual “art” that is made popular for the purpose of selling it quickly, “We make lasting art. Songs we wrote 5 years ago have as much relevance now as they did then, and will still be relevant 20 years from now.”

AS1

Dennis Condusta became interested in playing guitar at a young age, because his older brother also played.  As luck would have it, he won a guitar when he was 16, at a BMX riding contest.  He was influenced by the music of Modest Mouse (“Dramamine”) and Taking Back Sunday (“A New American Classic”) plus a strong desire to create his own music.   “I have no interest in learning cover songs.  I just knew I had a feeling inside me and I wanted to learn to get it out as fast as possible”, he said.  Dennis also states that his most important influences are his brother and his friends. 

Condusta, a life-long resident of this region, known for its working-class sensibilities, which are often hallmarked by the suppression of individualism, did note that this area sometimes has a lack of respect for a broad variety artistic expression.   Still, he credits this area for helping him to form his artistic vision, and openly accepts the responsibility and challenges required to act as the ambassador of his own vision, “I do not see that as their fault for misunderstanding me, I see it as my own fault for not doing a good enough job at being understood.  I am not afraid to dress strange or to wear two different shoes, it reminds me not to take life too seriously. You’d probably be surprised at how little people notice/care about how crazy someone looks if you do it confidently.  It’s when you feel uncomfortable or out-of-place that people can sense it, then they insult you.”

As6

Much of our local history is dark and reflective of the oppression of the human spirit, because for a long period of our recent history, the area was monopolized by an industry that told people daily that they did not matter.  In fact, the mules that worked in the anthracite coal mines were insured, while the humans laboring there were not!  Local workers had to resign themselves to the fact that they were being exploited, just for the opportunity to earn a paycheck.  “That coal miner mentality is still engrained in the people from this area. I think it plays an enormous role in the art I create, so I respect it very much and choose to embrace it”, Dennis said, “There is a dark cloud of oppression that just sits over this valley, although it’s not strong enough to keep me down in any sense.  I find it comforting– in a totally sick and twisted kinda way. Ha-ha”

One of the prominent remnants of the coal mining era, the Huber Breaker ruins, has a starring role in two of Astorian Stigmata’s videos. (For those of you outside of Northeastern Pennsylvania, a coal breaker is literally a place where the coal that was brought up from the mines was broken into smaller pieces using machinery.) This location is popular with urban explorers because they love to photograph the machinery and vanishing points that are contained within the decaying walls of this now obsolete industrial complex.  I asked Dennis to explain the inspiration behind using this location for these videos.  “It’s one of a kind”, he said, “And it’s in rather good shape for how old it is.  That place has a feeling and a beauty to it I’ve never felt anywhere else.  It’s special in that sense and it’s really inspiring in many ways. It’s hard to explain.”

AS4

I asked Dennis if he thought that exposing non-history buffs or individuals unfamiliar with our local history, to our historic locations in a non-traditional artistic context is a good way to inspire an interest in the subject matter.  “Yes, I do”, he responded, “Our target audience has never been local.  We’ve always strived to appeal to a worldly audience.  Most local people think the Huber is played out, ‘cause they’ve seen it so many times, but there’s a person sitting in Norway right now watching that video thinking that’s the coolest place they’ve ever seen.”  

And believe me, he’s not kidding!  One of my personal, most interesting experiences with the Huber Breaker includes running into a group of students from Germany, taking pictures of the Breaker, as one of their stops on an “Urban Exploration” tour of the industrial ruins along the east coast of the United States!

I asked Condusta, a descendent of coal miners himself–both of his great grandfathers were employed by this industry–if he had any thoughts about using a place where men, and even little boys, were oppressed and exploited to express himself artistically.  He said, “Yes, I always think of that.  And sadly the world still works that way.  I always kinda wished people knew the background on the industry and of that place ‘cause it would add a whole new dimension to the message I’m trying to send.”  Although Dennis maintains that the videos and pictures are primarily for aesthetic purposes, and produced for a world-wide audience who does not see such places as they go about their daily lives.     “While I understand and respect the history personally”, Dennis explains, “I don’t expect someone in Spain to think of that.”

AS3

Of the two Astorian Stigmata videos filmed at the Huber Breaker, “The Beginning Of An End” is the most artistic in nature, and therefore open to individual interpretation.  I thought it would be interesting to analyze the video/lyrics within the context of the historical setting with Condusta. 

The start of this video features a guy in a camouflage suit collecting water samples from this industrial site in a post apocalyptic world.   I found it somewhat poetic that in the beginning of the video you hear “stay safe”, because the irony is that for the men who worked at that dangerous site, in such a high-risk industry, that’s what they, and their loved ones, were thinking every day.  Dennis found that interpretation interesting, but said that it wasn’t quite what he was thinking while creating that scene for the video.   The video also features a vampire, which I interpreted as a representation of the coal company literally feeding off of the coal miners to turn a profit for themselves, while their employees often lived in impoverished conditions.

The song lyrics contain the phrase “where beauty meets decay”.  I asked Condusta if he thought there was something tragically beautiful about this specific abandoned industrial site.  “Yes, most certainly”, he said, “It’s symbolic of what was once flourishing, busy and a source of life and jobs for an entire city. And now it’s pushed aside and forgotten. That’s the central theme of my artistic being.”

I asked Dennis why he chose to end the video with the sound of a laughing child.  “That was just to provide and exaggerate the feeling of unease that I was attempting to convey”, he explained.

The video “Strange Nights (Live From The End Of The World), was also filmed on location at the Huber Breaker.  I asked Condusta if there was something about the location that promoted an “end of the world” feeling.  “Yes”, he responded, “It reminds me of what the world would look, and feel like if it were to suddenly end. I found a worker’s time card in the breaker dated from 1962.  It’s just interesting to think about how so much of that place seems like the workers just walked out at the end of the shift, and didn’t come back. It doesn’t feel like it ever planned to close–it has a feeling of unrest.”

In conclusion, I asked Dennis if there was anything that he wanted people to know about himself or Astorian Stigmata.  “Myself personally?  I’m not a terribly interesting person”, was his response, “I put my life into art and I ask for nothing in return. I don’t do this for money/fame or reputation. I was just born with a soul that needs to express itself, and I hope somewhere along the way someone else gets some enjoyment from the work I do.”

You can find more information about Astorian Stigmata by visiting their official website  and  Facebook page .   

Max 3

Maximilian Aladar was born on May 28th 2005.  He is the creation of Dennis Condusta who was in need of someone to play the drums for his band, because at that time, he was playing all of the instruments himself on the recordings.  Dennis made Max that very night, never finishing his legs or giving him a mouth.  This way, Max could not talk back (using words) or run away.  Today, Max serves as the guide for Astorian Stigmata.  He is the puppet master who is a puppet…..

Max 1

   

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Cheri Sundra © 2012
All Rights Reserved

Into the Belly of the Beast: Exploring The Mines That Fed The Industrial Revolution

Disclaimer:

I feel the need to have one of those “Beavis and Butt-head are not role models. They’re not even human, they’re cartoons.  Some of the things they do could cause a person to get hurt, expelled, arrested… possibly deported.  To put it another way, don’t try this at home” warnings at the beginning of this post.  

While Ed Mountjoy is NOT a cartoon character (although some may disagree), what he does is EXTREMELY DANGEROUS, and you should just resign yourself to enjoying his adventures from the safety of your computer/smartphone screen.  But since urban explorers tend to view “No Trespassing” signs as invitations to enter, I won’t bother coming up with a disclaimer of my own….I’ll just stand by what Mike Judge said, just insert Ed Mountjoy and abandoned anthracite mines for yourselves!  😉 

Ed First

Many Social Media users in Northeastern Pennsylvania (NEPA) recognize Ed Mountjoy as the face of The Forgotten Coal Industry of NEPA’S Facebook page.  But Ed’s following is quickly spreading beyond the “coal region” of Pennsylvania, and into the realm of the world-wide network of urban exploration.  And understandably so, since within the “explorer” hierarchy, those who explore the territory below the earth’s surface definitely carry more prestige than those of us who remain steadfastly with our feet planted above the ground. 

Ed 2

While there are coal deposits scattered about the world, the coal from Northeastern Pennsylvania  is special  because it is anthracite coal, which is more pure, harder, and of higher carbon content than any  other type of coal on the entire planet.  In the Western Hemisphere, 95 percent of the anthracite coal supply is located within the 500 square mile region of Pennsylvania that is the topic of Ed’s “Forgotten Coal Industry” Facebook page. 

The story of anthracite coal mining in NEPA is complex.  It’s about pioneering industry and the entrepreneurial spirit, as well as the darker side of greed, suffering, and human exploitation. During the coal era in NEPA, the elite Coal Barons (coal company owners, a.k.a. The 1%) built magnificent Victorian mansions, as their immigrant workers often lived in overcrowded, company-owned “patch towns”, while actually having to pay their employer for the supplies necessary to do their high-risk  jobs that resulted in earning less than what we would call a “living wage” today.

 The coal mines of Luzerne County have been abandoned for decades now, but Ed Mountjoy is on a mission to document and share whatever remains he can find that relate to our local coal mining history before these remnants are gone forever—especially those places or structures that are hidden away from us as we go about our daily modern lives full of urban sprawl. 

While many urban explorers have documented popular local coal-related locations such as the Huber Breaker and Concrete City, Ed ventures into an area of local exploration that you never really hear about—the actual anthracite mines themselves.  Since exploration is ultimately about documenting the remains and ruins of the places that touched the lives of the people who once lived, worked, worshiped, or played at these locations, Ed is honoring the men who worked in these coal mines by reminding us all about the physical reality of their confined work-space. 

A Slope Leading To A Flooded Mine

A Slope Leading To A Flooded Mine

One truth remains the same today as it did for the men who toiled daily underground decades ago in NEPA–anyone entering a coal mine faces many dangers such as underground floods, roof falls, a mine collapse, fire, and countless other methods of serious injury or death.  A coal mine is not a glamorous place to be at all. The men working underground found themselves in an environment that was dirty, dangerous and most likely damp.  Standing up straight is almost impossible because mine tunnel ceilings are too low.  The air that you breathe in a coal mine is stale & dusty.  The miners actually had to use pieces of lumber to prop up the roof in the area that they were working in, as an attempt to avoid being trapped or crushed by huge rocks.  This knowledge gives anthracite mine explorers an adrenaline rush when something seems out of the ordinary during a mission.

“During a recent exploration, we thought we were hearing part of the mine collapsing, but it turned out to be some rocks sliding down an incline we just went up. That scared us but we were relieved to know it wasn’t the mine collapsing”, explained Ed.

Ed began seriously exploring abandoned anthracite mines at the end of 2010.  He had explored the remains of two collieries (for those of you outside of the NEPA region, a colliery is a coal mine and the buildings associated with it) as well as other abandoned buildings as far back as 2006, so he was already interested in abandonments.   “ I was informed about two mines and originally was just going to find them and get exterior photos of the openings into them”,  he explained, “ After several attempts looking for them, we, a friend and I, found them and saw they were low mine openings, meaning you have to crawl to get inside. We decided to enter them and the interest just sparked from there after seeing what we had inside of those two low mines.”

When asked how he finds mines to explore, Ed responded, “Well, I normally do research about what mines were in opperation around a particular area before exploring.  Sometimes, we’ll just run across a mine and, after exploring, will do research afterwards on what mines they may have been and what companies owned them during their years of operation. As for preparing to explore one of these mines, we’ll examine the conditions of the opening before entering; making sure the ceiling isn’t in horrible condition.”

Props Holding Up Mine Ceiling

Props Holding Up Mine Ceiling

As far as equipment goes, Ed approaches mine exploration on the lighter side by just carrying a flashlight, camera, tripod, and a drink.  He is also sure to take someone else with him. “I NEVER explore any place alone”, he stated, “I always have at least one other willing friend who comes with me. You never know what can happen when exploring any abandoned place, and mines are no exception.”

I wanted to know if he ever got lost while engaging in his underground exploration adventures.   Ed’s response was that he has never been lost, not even while exploring the largest mining system that he has been in, “I have a rather good sense of direction and can retrace my steps back, plus some of the mines still have arrows painted on the walls and ceilings pointing to the exit from back when they were mined”.  

I was curious to know what Ed considered to be the most difficult aspect of this type of exploration.  “Finding any mines that haven’t been sealed closed, and seeing if they are safe enough to enter, if they are still open.  Most of the mines that were in operation have been sealed off, whether they were blasted shut, filled or grated off.   Even many of the ones that were left open, either due to being forgotten about or just haven’t been attended to yet, have since collapsed on their own”, was his response.  He further added, “It’s more dangerous than an above ground structure. The deeper you go, there is more of a chance that something can happen and less of a chance you’ll be found, unlike a building where if you get hurt, chances are you can get a cell signal and call for help. Mines and other underground places tend to have no cell service, so it’s best to tell another the location of where you’re going, in case something does happen”.

A Steep Pitch Mine

A Steep Pitch Mine

While describing what it is like to spend time in these abandoned underground work spaces today, Ed thoughtfully explained that it’s quite peaceful, “Its dead quiet in the old mines. The most you may hear, besides yourself and whoever is with you, may be a few bats, which I have seen hanging from the ceilings, and water dripping from the cracks in the ceiling. The quietness adds to the thought of knowing that at one point, there were men down there digging those tunnels, setting up those props and loading coal into the mine carts to go to the surface to be processed at the breaker, which, during those times, the mines would have been anything but quiet.”

I asked Ed what he was hoping to accomplish by exploring these abandoned anthracite mines.  “To show others an aspect of our history that is overlooked today. Most know about the coal mining history, and others may have explored some of the places that are still standing, such as the Huber Colliery, but not many get to see the very mines where the coal was brought out of to be processed at these breakers.  My photos are a way to document and preserve the history of a once prosperous industry”, was his response.

What really leaves an impression on Ed about these underground spaces where men had to work every day is “how low some of these mines were, and knowing that there were men who actually dug those low mine tunnels out to get to that coal. Just try to imagine crawling around in a tunnel no more than four feet tall trying to dig further into it, trying to reach as much of the coal as you can without the solid rock above you crashing down on top of you. That’s what it must have been like for those miners.  What would probably surprise most people is how low some of these mines are and the fact that men were actually down there, crawling around, grabbing the coal from those low mines to earn a paycheck.”

A Prop Holding Up A Low Mine

A Prop Holding Up A Low Mine

You can follow Ed Mountjoy and all of his coal mining exploration endeavors on Facebook at The Forgotten Coal Industry of NEPA

Ed 11 

 “Because it’s their time. Their time!  Up there!

Down here, it’s our time. It’s our time down here!”

–The Goonies

I encourage anyone interested in learning more about

abandoned mine underground research to visit :

The Official Website of Abandoned Mine Research, Inc.

and please note this warning about abandoned mine exploration:

Stay Out….Stay Alive!

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Cheri Sundra © 2012
All Rights Reserved

I’ve Got The Power…..

Power D

Generations of families living near the Susquehanna River in Plymouth, or passing over the Carey Avenue Bridge, have grown accustom to seeing the huge smokestacks looming in the background. 

Power in the 50s

1950s (?) era picture with smokestacks in background

While the smokestacks have been dormant for many decades, and in some ways, have even changed with the times because, apparently, they now have something to do with providing cellular service, they still stand as a monument to a more powerful time—a time when humans first became God-like in their ability to provide artificial light, on a grand scale, during the darkest hours of the night.

"I've Got The Power......."
"I've Got The Power........"

In 1882, the first commercial power station opened in New York City.   Just two years later, The Wilkes-Barre Electric Company, along with Hildreth & Co. (Nanticoke), started offering service in some areas of Luzerne County.   

"I've Got The Power........”

Locally, it was primarily our West Side Communities that were the pioneers in electrical power and lighting for the area.  Nanticoke, Kingston, Wyoming, Forty Fort, Luzerne, Plymouth and Shickshinny all constructed power plants to meet the growing needs of this exciting, new industry. 

"I've Got The Power........It's gettin' it's gettin' it's gettin' kinda hectic”

“I’ve Got The Power……..It’s gettin’ it’s gettin’ it’s gettin’ kinda hectic……”

"I've Got The Power........It's gettin' it's gettin' it's gettin' kinda hectic”

Eventually, they all merged and consolidated into one big “light plant” that took over the responsibility for serving the entire area, which is what you still see standing today  at the river’s edge, on the corner of Bridge and Beade Streets.  Built in 1905, it was the fifth power plant erected in Plymouth.   

b Power

The very first power plant to operate in Plymouth opened in 1886 on Cherry Street.  During the early years of the lighting industry, commercial lighting was only furnished during “lighting hours” and only street lights were on the “moonlight”, or “all night”, schedule. I find it compelling to contemplate the notion that at one point humans had little control over darkness, and then we found a way to master the darkness by distributing artificial light. 

Abandoned Pennsylvania:  "I've Got The Power...."

"I've Got The Power........It's gettin' it's gettin' it's gettin' kinda hectic”  {EXPLORE}Can you spot the wire hanger still in place on the wall?

Today, the Plymouth Light Plant still stands, in a state of semi-abandonment.  The front portion of the building, bordering Bridge Street, is used as a rental storage facility, while the back portion of the structure remains unused.  The grounds around the back, with all of the “High Voltage” electrical service structures, make up the UGI Electrical Service Plymouth Substation. 

Power I
Power A

A big “thanks” to the Plymouth Historical Society for providing me with the information about the Plymouth Power Plant!  I was unable find anything on my own…..

Power Ghost Sign

Luzerne County Gas & Electric Corporation “ghost sign” overlooking the Susquehanna River

Power H
a Power

Power 9

Power 7

Power 6
Power 5

Power 4
Power 3
Power 2
Power J
Power F
Power B
Power C
Power E
I've Got The Power
Power G

Power 12

Smokestack as it looks from the front of the home

that belonged to my grandparents on Beade Street

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Cheri Sundra © 2012
All Rights Reserved

And They All Came Tumbling Down

The event that I am most often asked about is the collapse of a pavilion at the (now abandoned) Croop’s Glen Amusement Park —during a baby contest, of all things! 

In April of 1917, a newspaper blurb announced that “A new picnic ground with every known amusement device is being built at Hunlock’s Creek and will be open on May 28th as Croop’s Glen”.  By the 1930s, the park became a very popular venue for civic group outings which were often publicized in the local newspaper. 

Between 1926 and 1927, two wooden roller coasters were added.

There was a full size coaster named Twister, and one Kiddie Coaster.

Both pictures  of “Twister” courtesy of the Philadelphia Toboggan Company

Roller Coaster Entrance

Photo Courtesy of Ellen Geisel

During an outing planned by the Nanticoke Unemployed League in June of 1935, as mothers were assembling on the pavilion with their children for a baby show along with observers, the floor of the pavilion, which was situated between 20 & 30 feet above the bed of Hunlock’s Creek, parted in the middle and then dropped.  A witness account described a “roar of furniture, crockery, glass and human bodies falling into the creek”.   

Croop's BAbandoned Park Picnic Tables in 2010

According to the newspaper ““The floor of the Pavilion broke in two, creating a large funnel into which tumbled men, women and screaming children, together with benches, chairs and tables and the paraphernalia   usually taken along by picnickers”.   Witnesses estimated that between 250 and 300 people were standing on the pavilion at the time of the accident. 

Dance Pavilion?  Could be…..

Photo Courtesy of Ellen Geisel

Fortunately, the sides and roof of the structure stayed intact, contributing to the fact that no one died during or after the catastrophe.   As a result of the collapse, 145 people were admitted to the hospital.  A local newspaper reported that “after the rescue work, shoes, purses, hats and bits of clothing could be seen in the wreckage, mute testimony of the horror that overtook the hundreds who were on the pavilion.”

The park was owned by B.F. Croop and the land was leased to Charles Shelly who was the park manager.  According to the newspaper, officials of the Nanticoke Unemployed League Council initially expressed belief that over-crowding caused the accident.  Complete details about the accident are available thru the Luzerne County Library System’s Sunday Independent online archives at “200 Picnickers Injured Here As Dance Pavilion Collapses”.

On July 10th, 1938, the newspaper reported that the park was being sued by 12 people for injuries sustained during the pavilion accident.  The majority were seeking $5,000 in damages, a few asked for $10,000 and the highest amounted to $15,000.  Visit “$96,000 Damages Asked by 12 for Injuries In Pavilion Crash” to see a list of the plaintiffs. 

While many people speculate that the accident and subsequent lawsuit led to the closing and abandonment of Croop’s Glen Amusement Park that does not seem to be the case.  An article from August of 1943 states:

 “Noted for years as one of the regions natural parks, Croop’s Glen this year is a complete casualty of the war effort.”

Carousel – photo by Croop’s Glen Art Studio

Photo Courtesy of Ellen Geisel

”The park has been renovated substantially since the dance hall collapse ten years ago, but the rollercoaster, whip, dodgem, merry-go-round and kiddies train, to mention the leading amusements have not turned a wheel this summer.”

Carousel

Photo Courtesy of Ellen Geisel

“They, as well as the penny arcade, refreshment and prize stands, are covered as protection from the elements.  The swimming pool, which for many years was one of the best patronized in the region, because of its mountain-fresh, ever-flowing water, has also gone to pot.”

Croop's D

Swimming Pool Remains in 2010

“It was a favorite place for basket outings and still has excellent facilities, including a large outdoor oven and scores of tables and benches if people were so inclined.”

Croop's c

Concession Stand/Picnic Grove in 2010

The article also mentions that lack of public transportation was contributing to the decline of the park.  You can access the full text of the article at “Park At Croop’s Glen Complete War Casualty” 

I was unable to find anything stating when the park officially closed, by some accounts; it remained open as a picnic spot through the mid-50s, with the dance hall serving as a skating rink. 

Croop's AAbandoned Park Picnic Grove Structure in 2010

More Croop’s Glen Updates Here

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Abandoned Pennsylvania--Lost History Found:  Croop’s Glen Amusement Park, Hunlock Creek   Cheri Sundra © 2012 All Rights Reserved